john wilmerding, deputy director of the national gallery of art. homer's studio was a remodeled stable set about 200 yards from a large summerhouse thatis older brother bought in 1883. although homer was close to his family, he enjoyed the solitude his studio provided, but most of all, it was the ocean outside which reall made this place so important to him. the love of nature was very much a part of homer's time. his family joined the growing number of americans in the late 19th century who could afford to escape the city heat and spend summers at the shore. homer's relatives on both sides had been engaged in shipping and trading for generations. his father, charles savage homer, carried on an import business. his mother, henrietta benson homer, was a watercolorist whose flower pictures were occasionally shown in professional exhibitions. winslow was born in boston in 1836. at the age of 21, after two years of drudgery apprenticeto a commercial lithographer, he vowed he would never have another master and set up his studio at 22 winter street, in a building with publisher m.m.
WHUT (Howard University Television)
has been named as a possible replacement. john kerry of massachusetts. what are their records on climate change? the big controversy around susan rice is in her investment of $600,000 in transcanada, which is the oil pipeline company building the keystone xl pipeline from the alberta tar sands to the gulf of mexico. >> which ever of them become secretary of state -- although senator kerry has certainly been active on climate change. we hope that the new secretary of state changes the policy that brought the u.s. to the point where it is putting an emissions reduction commission on the table here at the international negotiations without explaining how they will get to it. we hope that we will not have comments from the negotiators where they say, in 2015, we will be negotiating an agreement will apply in 2020. scientists tell us right now that every year counts. we cannot wait until 2025 to start cutting emissions. we hope that whoever is our new secretary of state, that we see a change in these policies. as long as the u.s. does with it is doing in these negotiations, other coun
when we take john outside? he has to get lots of sunscreen. and one that's a deep, dark, rich, chocolate color. but they're both boys, so they're the same, but they're different. hendrick: it is very important that we communicate openly and directly with our children about issues of race, ethnicity, and gender. woman: does anybody know what is the same about us? child: no. our skin. woman: we all have skin. hendrick: and we can start by simply not shying away from answering some very basic questions or comments our children may have-- comments that are not intended to hurt. woman: our ears are different. for example, i once heard a child ask in surprise, "you mean, you're black all over?" or we might hear, "how come he walks so funny?" or, "no girls here. this is a guy thing." questions like these should never be hushed up. instead, they should be regarded as not-to-be-missed opportunities to provide matter-of-fact answers, just as we would answer questions about why the dogs are barking or how come the whistle blows every day at noon. so what do you do when you hear one of yo
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